Popular Science spotlights a sampling of the winning pictures from this year’s MIT Koch Institute Image Awards, an annual competition showcasing some of the images produced as part of life science and biomedical research at MIT. “Today, high-magnification images can help design new medical tools, enrich our understanding of diseases, and explain how embryos develop. And, as shown by the 2023 winners from the MIT Koch Institute Image Awards, they can be works of art, too.”
CNN reporter Oscar Holland spotlights the late Prof. Harold Eugene Edgerton ’31 and his work in pioneering flash technology. Edgerton “is considered the father of high-speed photography,” writes Holland. “Camera shutter speeds were too slow to capture a bullet flying at 2,800 feet per second, but his stroboscopic flashes – a precursor to modern-day strobe lights – created bursts of light so short that a well-timed photograph, taken in an otherwise dark room, made it appear as if time had stood still.”
Boston Globe correspondent Dana Gerber spotlights how eight of the photographs alumna Linda Benedict-Jones captured of Cambridge Rindge and Latin high school students will be on display at the Harvard Art Museums this fall. “I thought of Cambridge Rindge and Latin as a kind of microcosm of society,” said Benedict-Jones. “I figured, there are probably kids in this school who are the sons and daughters of Harvard professors, and there are probably kids in this school who are recent immigrants.”
In a forthcoming book, photographer Jessica Wynne spotlights the chalkboards of mathematicians, including Professor Alexei Borodin’s and Associate Professor Ankur Moitra’s, reports Clara Moskowitz for Scientific American.
Boston Globe reporter Mark Feeney spotlights how the MIT Museum is offering a virtual installment of “The Polaroid Project, Part II.” The show, which also includes a display of cameras, documents and other objects, features a “stellar array of photographers. Among them are Ansel Adams, Chuck Close, Marie Cosindas, Elsa Dorfman, Gisèle Freund, Philippe Halsman, David Hockney, [and] the actor Dennis Hopper.”
Gizmodo reporter Andrew Liszewski writes that MIT researchers have created an algorithm that can automatically fix warped faces in wide-angle shots without impacting the rest of the photo. Liszewski writes that the tool could “be integrated into a camera app and applied to wide angle photos on the fly as the algorithm is fast enough on modern smartphones to provide almost immediate results.”
Boston Globe reporter Mark Feeney spotlights the “Arresting Fragments: Object Photography at the Bauhaus,” exhibit on display at the MIT Museum. The exhibit “conveys a particular sense of why the Bauhaus was so influential,” writes Fenney.
National Geographic reporter Catherine Zuckerman spotlights the work of research scientist Felice Frankel, a photographer who captures images that are intended to captivate and inform viewers about complex scientific advances. Frankel explains that the goal of her new book is to help scientists “understand that beautiful images can engage the public.”
Writing for Inside Higher Ed, research scientist Felice Frankel explains the importance of scientists learning how to communicate their work. “I am convinced that learning how to make technically accurate, interesting and honest images and graphics of science should be part of every scientist’s education,” writes Frankel.
WCVB-TV’s Mike Wankum visits the Edgerton Center and sits down with Associate Director James Bales to talk about the center’s work with high-speed imaging. The center offers an annual high-speed imaging course “that is geared for just about everyone,” Bales explains. “You will walk out of here knowing what you can and cannot do with the cameras.”
Boston Globe reporter Mark Feeney reviews “Imagined Communities,” a new exhibit of the photography of Mila Teshaieva at the MIT Museum. Feeney notes that, “Teshaieva is the latest in an impressive roster of contemporary European photographers brought to the museum by MIT’s Gary Van Zante, who curated the show.”
Mark Feeney writes for The Boston Globe about the exhibit “György Kepes Photographs: The MIT Years, 1946-1985,” which is on display at the MIT Museum through July 2018. This is the second show in a two-part series that celebrates the 50th anniversary of MIT’s Center for Advanced Visual Studies, which Kepes founded as an Institute professor.
Times Higher Ed reporter Matthew Reisz highlights Prof. Daniel Jackson’s book, “Portraits of Resilience.” Reisz writes that, “MIT and its press are to be congratulated on a book – given out free to all this year’s new students – that not only addresses head on the issue of mental health within higher education but is so frank about how this plays out within its own institution.”
Alexa Vazquez of WBUR writes about a new MIT Museum exhibit that uses virtual reality to place visitors face-to-face with fighters who have experienced lifelong conflict. “The aim was to go for more kind of intimate conversations that you wouldn’t normally have access to, with people from diverse sides of these diverse conflicts,” says Prof. Fox Harrell, who worked on the VR aspect of the exhibit.
PRI The World’s Lydia Emmanouilidou spotlights a virtual reality exhibit at the MIT Museum by photojournalist Karim Ben Khelifa that allows visitors to explore both sides of international conflicts. “What is the point of images of war if they don’t change people’s attitudes towards armed conflicts, violence and the suffering they produce?” says Khelifa of the inspiration for his work.