A new act for opera
Emily Richmond Pollock’s book examines creative attempts to refashion postwar opera after Germany’s “Year Zero.”
Emily Richmond Pollock’s book examines creative attempts to refashion postwar opera after Germany’s “Year Zero.”
This season of musical performances features a range of Boston premieres and diverse collaborations.
Algorithm enables one audio signal to glide into another, recreating the “portamento” effect of some musical instruments.
How the humanities, arts, and social science fields can help shape the MIT Schwarzman College of Computing — and benefit from advanced computing.
How people interpret musical notes depends on the types of music they have listened to, researchers find.
MIT grad student startup Samply uses algorithms to help music producers find the perfect sound.
MIT hosts "Songs from Extrasolar Spaces," a musical melding of art and science inspired by the Transiting Exoplanet Survey Satellite (TESS).
By turning molecular structures into sounds, researchers gain insight into protein structures and create new variations.
PhD student Steven Gonzalez studies cloud computing with the eye of an anthropologist.
At the piano and in the lab, double major Tony Zhang is driven by curiosity and creativity.
Graduate student and New York City DJ Rekha Malhotra draws inspiration from the intersection of art and activism.
Among the program's offerings, the Digital Humanities Lab applies computational tools to humanistic research — and builds a community fluent in both languages.
For three decades, MIT's premier all-female a cappella group has been a home for song and long-lasting friendships.
Master’s student and Marshall Scholar Kyle Swanson uses computer science to help make drug development more efficient.
Compton Lecture delves into the frontiers of exploration linking neuroscience, music, and health.