Prof. Evan Ziporyn and Visiting Artist Maya Beiser speak to Arun Rath of WGBH about their work at MIT’s Center for Art, Science & Technology (CAST) and their performance of David Bowie’s final album. Ziporyn explains that CAST’s purpose is to “energize cross relations between those disciplines, which is something MIT has had going on basically since it was MIT.”
Prof. Evan Ziporyn speaks with Jeremy Goodwin of WBUR’s The Artery about his orchestral arrangement of “Blackstar,” David Bowie’s final album. The key to this arrangement isn’t recreating the album, it’s about “finding the feel of each of the movements and finding how are you going to get that to function with live players in large forces,” Ziporyn explains.
Prof. Eran Egozy will debut NoteStream, an app that provides real-time information about performances, at an upcoming concert at MIT, writes The Boston Globe’s Zoë Madonna. “We want people who are listening to music, especially if they’re listening for the first time, to be able to appreciate more of it as they’re listening to it,” says Egozy.
Boston Globe reporter David Weininger writes about “Persona,” a new opera by Prof. Jay Scheib and Prof. Keeril Makan, based on a 1966 Ingmar Bergman film. The opera is staged as if the action is being filmed, which allows viewers to be “more involved with what’s happening than I think they’re expecting,” explains Makan.
Boston Globe correspondent Terry Byrne writes about “Arcadia,” which is being presented in part by the Catalyst Collaborative @MIT, a collaboration between Central Square Theater and MIT. “As we started on our second decade of the Catalyst Collaborative, we decided to go back to the three plays that really defined the genre,” explains director Lee Mikeska Gardner.
Prof. Evan Ziporyn organized and conducted a tribute concert in honor of David Bowie. Boston Globe writer Matthew Guerrieri described the concert as “heartfelt, celebratory, just freewheeling enough.”