Seen and heard: The new Edward and Joyce Linde Music Building
Opening in February 2025, the building will “give MIT musicians the conservatory-level tools they deserve,” says MIT President Sally Kornbluth.
Opening in February 2025, the building will “give MIT musicians the conservatory-level tools they deserve,” says MIT President Sally Kornbluth.
Acclaimed keyboardist Jordan Rudess’s collaboration with the MIT Media Lab culminates in live improvisation between an AI “jam_bot” and the artist.
The program will invite students to investigate new vistas at the intersection of music, computing, and technology.
A piano that captures the data of live performance offers the MIT community new possibilities for studying and experimenting with music.
In a new documentary film, music’s storytelling power illuminates cultural and environmental sustainability in Brazil.
Director and MIT Professor Jay Scheib’s production, at the Bayreuth Festival in Germany, features an apocalyptic theme and augmented reality headsets for the audience.
Makan will lead special projects in his new role, while continuing to serve as head of the Music and Theater Arts Section.
Combining digital technology with the human voice, Eugene McDermott Award in the Arts at MIT winner Pamela Z creates layered music from everyday life.
CAST Visiting Artist Andreas Refsgaard engages the MIT community in the ethics and play of creative coding.
The MIT spinout has been releasing iconic video games for more than 25 years.
The Space Exploration Initiative supports research across and beyond MIT in two microgravity flights this spring.
Professor Markus Buehler composed it, and a South Korean orchestra performed it; it’s the latest in a series of artistic collaborations sparked by Buehler’s exploration of the structure of SARS-CoV-2.
Senior Alberto Naveira has found himself and his community as a member of the a cappella group the Chorallaries.
Marshalling forces from across the Institute, MIT will deliver an online celebration worthy of the Class of 2020.
Cross-disciplinary projects at MIT probe the technological and aesthetic limits of sound.