Reporting for WBUR, Pamela Reynolds spotlights “Ericka Beckman: Double Reverse,” on display at the List Visual Arts Center. Reynolds writes that through the exhibit Beckman explores “connections between games and gambling, the larger structures of capital, as well as the gamification of a culture which has given itself over to scores, challenges, tokens and rewards as a means of control.”
WBUR reporter Pamela Reynolds spotlights the Rose Salane exhibit at the List Visual Arts Center, which examines the lost collection at the World Trade Center’s Port Authority Library. “In a suggestive display, Salane unravels a tapestry of seemingly disconnected events to trace the unfolding of history,” writes Reynolds.
Boston Globe reporter Murray Whyte spotlights Kapwani Kiwanga’s new exhibit, “Safe Passage,” which is on display at the MIT List Visual Arts Center. Whyte writes that “‘Safe Passage’ is about a moment, not so long ago, when high art opted out of a divisive national argument.”
Boston Globe reporter Cate McQuaid highlights the “Before Projection: Video Sculpture 1974-1995” show on display at the MIT List Visual Arts Center as the best video show of 2018.
WBUR’s Cintia Lopez highlights the “Inside Tony Conrad: A Retrospective” exhibit on display at the MIT List Visual Arts Center as part of a roundup of things to do over the weekend. Lopez writes that the List is “paying homage to a man whose name you might not know, but whose multimedia work probably influences a lot of the culture you love.”
Writing for The Boston Globe, Cate McQuaid highlights Delia Gonzalez’s new exhibit at the MIT List Visual Arts Center. McQuaid notes that Gonzalez turns to “ancient civilization in search of meaning — specifically the eruption of Mount Vesuvius and the destruction of Pompeii, in the year 79.”
The Boston Globe reports that Prof. Emerita Joan Jonas has been awarded the 2018 Kyoto Prize. The prize honors “important figures in the fields of advanced technology, basic sciences, and arts and philosophy.”
Boston Globe reporter Malcom Gay highlights how a number of local arts organizations, MIT List Visual Arts Center, are presenting a series of exhibitions exploring the relationship between art and technology. As part of the series, the List will present “Before Projection: Video Sculpture 1974-1995.”
The MIT Museum and MIT List Visual Arts Center were two of 18 Boston-area museums that participated in this year’s #BostonInstaSwap. Each museum sent an employee to another local institution where they were “tasked with snapping and sharing pictures from the scene, highlighting exhibits and giving their followers a different experience,” writes Steve Annear for The Boston Globe.
Paul Ha, director of the MIT List Visual Arts Center, has organized an exhibit at Boston’s City Hall titled “A Summer Proposal,” writes Cate McQuaid for The Boston Globe. McQuaid writes that the exhibit, “features work from a terrific slate of artists responding to the building’s architecture.”
In an article for The Boston Globe, Cate McQuaid reviews “An Inventory of Shimmers: Objects of Intimacy in Contemporary Art,” which is currently on display at the MIT List Visual Arts Center. McQuaid notes that the conceptual art in the exhibit, “plugs into perceptions of love, trust, and care.”
Writing for The Boston Globe, Cate McQuaid spotlights “Gwenneth Boelens: At Odds” and “Charlotte Moth: Seeing While Moving,” two exhibits on display at the MIT List Visual Arts Center. McQuaid writes that “individual works in the exhibitions prompt bittersweet responses to lost utopias, uncanny associations of place and time, and heightened attunement to the senses.”
In an article for The Atlantic about college museums, Jacoba Urist highlights MIT’s List Visual Arts Center as an example of a campus art institution that also serves as an experimental museum. Urist writes that the List "considers itself a research lab, engaged in a form of scientific inquiry."
Boston Globe reporter Sebastian Smee writes about Edgar Arceneaux’s new exhibit “Written in Smoke and Fire,” which is currently on display at the MIT List Visual Arts Center. Smee writes that Arceneaux’s installation “'Until, Until, Until. . .’ is a brilliant work.”
In a New York Times travel guide to Cambridge, Mass., Ethan Gilsdorf recommends that visitors explore the MIT campus, spotlighting the Ray and Maria Stata Center, the List Visual Arts Center and MIT’s collection of outdoor art. He also writes that “to study Cambridge’s innovative, D.I.Y. spirit, look no further than the MIT Museum.”