The MIT List Visual Arts Center has reopened with three new exhibitions, reports Riana Buchman for The Boston Globe. The new installation includes “Andrew Norman Wilson’s two video pieces ‘Impersonator’ (2021) and ‘Kodak’ (2019); Sreshta Rit Premnath’s sculpture show ‘Grave/Grove’; and, in this era of stops and starts as we lurch from lockdown to reopening, the serendipitously named ‘Begin Again, Again,’ by the pioneering video artist Leslie Thornton.”
The MIT List Visual Arts Center is presenting a series of remote artist-designed walks and experiences, aimed at helping people re-engage with their world and environment, which can be enjoyed anywhere, reports Cate McQuaid for The Boston Globe. “Artists can be pivotal in bringing us to re-engage with the world around us,” says List curator Natalie Bell.
The MIT List Visual Arts Center is hosting the Max Wasserman Forum: Another World, which features “two prerecorded panel discussions that’ll touch upon subjects pertaining to art in the digital realm,” reports Magdiela Matta for WBUR. “This event will leave you thinking more critically about moving toward a future where there’s a world of endless possibilities in how we present media,” Matta writes.
Paul Ha, director of the MIT List Visual Arts Center, is serving as one of the advisors to Simone Leigh, the first Black artist selected to represent the U.S. at the Venice Biennale, reports Andrea Shea for WBUR.
Reporting for WBUR, Pamela Reynolds spotlights some of the MIT List Visual Arts Center’s virtual offerings. Reynolds notes that through one of their series, the List will be addressing “all the time we’ve got on our hands, with a series of online Zoom talks focused on experiences of waiting.”
Boston Globe reporters Patricia Harris and David Lyon spotlight MIT’s public art collection. “A striking collection of modern sculpture, much of it tucked away in secluded courtyards and grassy quads,” they write. “Large-scale sculpture lives at the nexus of art and architecture,” adding that MIT, “has always been a school of imaginative can-do.”
Boston Globe reporter Cate McQuaid spotlights the Ericka Beckman exhibit at the List Visual Arts Center. “Beckman models her incantatory, hallucinogenic films on the ritualistic repetitions of games and hard labor,” writes McQuaid. She draws on fairy tales and uses percussive, throbbing music. Woven together, these structures offer a desperate, frenzied model of life in a society driven by work, production, and the almighty dollar.”
WGBH reporter Jared Bowen spotlights the Ericka Beckman exhibition at the List Visual Arts Center. Henriette Huldisch, director of exhibitions and curator at the List, explains that Beckman employed, “bright primary colors, she used toy-like props and she structured her films very deliberately around games and gaming rather than following traditional dramatic structure or narrative.”
Reporting for WBUR, Pamela Reynolds spotlights “Ericka Beckman: Double Reverse,” on display at the List Visual Arts Center. Reynolds writes that through the exhibit Beckman explores “connections between games and gambling, the larger structures of capital, as well as the gamification of a culture which has given itself over to scores, challenges, tokens and rewards as a means of control.”
WBUR reporter Pamela Reynolds spotlights the Rose Salane exhibit at the List Visual Arts Center, which examines the lost collection at the World Trade Center’s Port Authority Library. “In a suggestive display, Salane unravels a tapestry of seemingly disconnected events to trace the unfolding of history,” writes Reynolds.
Boston Globe reporter Murray Whyte spotlights Kapwani Kiwanga’s new exhibit, “Safe Passage,” which is on display at the MIT List Visual Arts Center. Whyte writes that “‘Safe Passage’ is about a moment, not so long ago, when high art opted out of a divisive national argument.”
Boston Globe reporter Cate McQuaid highlights the “Before Projection: Video Sculpture 1974-1995” show on display at the MIT List Visual Arts Center as the best video show of 2018.
WBUR’s Cintia Lopez highlights the “Inside Tony Conrad: A Retrospective” exhibit on display at the MIT List Visual Arts Center as part of a roundup of things to do over the weekend. Lopez writes that the List is “paying homage to a man whose name you might not know, but whose multimedia work probably influences a lot of the culture you love.”
Writing for The Boston Globe, Cate McQuaid highlights Delia Gonzalez’s new exhibit at the MIT List Visual Arts Center. McQuaid notes that Gonzalez turns to “ancient civilization in search of meaning — specifically the eruption of Mount Vesuvius and the destruction of Pompeii, in the year 79.”
The Boston Globe reports that Prof. Emerita Joan Jonas has been awarded the 2018 Kyoto Prize. The prize honors “important figures in the fields of advanced technology, basic sciences, and arts and philosophy.”