In a new exhibit by Sreshta Rit Premnath, currently on display at MIT’s List Visual Arts Center, “nine pieces perform as a sort of breviloquent visual haiku, touching on pressing social themes outside museum walls,” reports Pamela Reynolds for WBUR. “I’m very aware that the area that I'm living in always enters into my work, sometimes in more abstract ways,” says Premnath.
Xin Liu SM ’17, art curator for the Media Lab’s Space Exploration Initiative, speaks with Los Angeles Times reporter Deborah Vankin about her work “Living Distance,” which is on display as part of the “Synthetic Wilderness” installation at Culver City’s Honor Fraser Gallery. “‘Living Distance’ is both a personal fantasy and a serious space mission,” says Liu. “A wisdom tooth is sent to outer space and back down to Earth again. Carried by the crystalline robotic sculpture, the tooth becomes a newborn entity in outer space.”
Erin Genia ‘19 a multidisciplinary artist, has been honored as one of The ARTery 25, which highlights artists of color in the Greater Boston area who stand out for the work they are making, reports WBUR. “Genia, a tribal member of the Sisseton-Wahpeton Oyate of South Dakota, sees her artistic mission as one of many efforts to make up for the centuries of assimilation and cultural repression.”
Prof. Nida Sinnokrot speaks with Artform editor-in-chief David Velasco about his piece KA (Oslo), which is currently on display at the Palestinian Museum. “Hacking technologies and infrastructures of control that give rise to the social, political, environmental instabilities has always been a driving force in my practice,” says Sinnokrot.
Alumnus and lecturer Matthew Mazzotta joins NPR’s Ted Radio Hour to discuss the importance of public spaces, and how every community needs public spaces to gather, discuss, and address issues.
Students in Prof. Azra Akšamija’s class created Covid-19 masks that reflected their experiences and shared powerful messages with the world, reports 7 News. “Students learn how to articulate problems they see in the world and issues that we are facing,” says Akšamija. “And to communicate that and translate that through their designs.”
The MIT List Visual Arts Center is presenting a series of remote artist-designed walks and experiences, aimed at helping people re-engage with their world and environment, which can be enjoyed anywhere, reports Cate McQuaid for The Boston Globe. “Artists can be pivotal in bringing us to re-engage with the world around us,” says List curator Natalie Bell.
Writing for The Boston Globe, Prof. D. Fox Harrell, Francesca Panetta and Pakinam Amer of the MIT Center for Advanced Virtuality explore the potential dangers posed by deepfake videos. “Combatting misinformation in the media requires a shared commitment to human rights and dignity — a precondition for addressing many social ills, malevolent deepfakes included,” they write.
Researchers at MIT’s Center for Advanced Virtuality have created a deepfake video of President Richard Nixon discussing a failed moon landing. “[The video is] meant to serve as a warning of the coming wave of impressively realistic deepfake false videos about to hit us that use A.I. to convincingly reproduce the appearance and sound of real people,” write Aaron Pressman and David Z. Morris for Fortune.
Boston 25’s Chris Flanagan reports that MIT researchers developed a website aimed at educating the public about deepfake technology and misinformation. “This project is part of an awareness campaign to get people aware of what is possible with both AI technologies like our deepfake, but also really simple video editing technologies,” says Francesca Panetta, XR creative director at MIT’s Center for Advanced Virtuality.
MIT researchers created a deepfake video and website to help educate the public of the dangers of deepfakes and misinformation, reports Mike Wall for Space.com. “This alternative history shows how new technologies can obfuscate the truth around us, encouraging our audience to think carefully about the media they encounter daily,” says Francesca Panetta, XR creative director at MIT’s Center for Advanced Virtuality.
Scientific American explores how MIT researchers created a new website aimed at exploring the potential perils and possibilities of deepfakes. “One of the things I most love about this project is that it’s using deepfakes as a medium and the arts to address the issue of misinformation in our society,” says Prof. D. Fox Harrell.
Boston Magazine reporter Alyssa Vaughn spotlights Prof. Azra Aksamija’s design proposal for a piece of public art in Cambridge that would honor the passage of the 19th Amendment. Aksamija’s project “takes the form of a three dimensional palimpsest,” writes Vaughn, “that is visible through an arrangement of concrete elements. These elements are inscribed with names and quotes from notable activists.”
Prof. Carlo Ratti speaks about the “Eyes of the City” exhibition he curated in Shenzhen, China, which offers “a rare public space for reflection on increasingly pervasive surveillance by tech companies and the government,” reports David Kirton for Reuters. “This is a global issue and the best way to deal with it is to open up these technologies and put them in the hands of the public," said Ratti.
Prof. Neri Oxman, the recipient of the Design Innovation Medal at the London Design Festival, speaks with Financial Times reporter Annalisa Quinn about her work, which melds art and science. The “imbalance between innovations achieved in fields such as synthetic biology and the primitive state of digital fabrication in product and architectural design shaped my ambition,” Oxman shares with Quinn.