Gus Solomons Jr. '61, a “groundbreaking force in modern dance” has died at 84, reports Bryan Marquard for The Boston Globe. “Teacher, student, dancer, and choreographer, [Solomons Jr.] was based in New York City and commuted to Boston to spend each Tuesday teaching,” writes Marquard. “Performances with numerous dance groups in both cities packed his calendar, even before he made history as the first Black member of the legendary Merce Cunningham Dance Company.”
Gus Solomons Jr. ’61, “a leading figure in modern and postmodern dance,” has died at 84, reports Gia Kourlas for The New York Times. Solomons began dancing at age 4, but didn’t begin training until he was a first year student at MIT, where he earned a degree in architecture. “Over his long career, Mr. Solomons danced with many companies and many choreographers, including Martha Graham and Merce Cunningham,” Kourlas notes. “He broke ground as the first Black dancer to join the Cunningham company.”
MIT has been selected as the world’s best university in the 2024 QS World University Rankings, reports Cecilia Rodriguez for Forbes. MIT has secured “the top position for the 12th consecutive year,” writes Rodriguez.
Popular Science reporter Andrew Paul spotlights “Ways of Seeing” a documentary project that aims to create “extended reality” (XR) experiences of significant architectural locales in Afghanistan as part of an effort to preserve the country’s historical sites. Paul notes that the project combines “cutting edge 3D imaging, drone photography, and virtual reality combined with painstakingly detailed hand drawings.”
Eleven fellows have been selected for the 2023-2024 Morningside Academy for Design (MIT MAD) program, reports Designboom, which is focused on offering “opportunities for students, faculty, and the general public to explore the intersection of design, technology, and social impact.” The fellowship program is aimed at helping designers have a “real-world impact in fields such as sustainability, architecture, health, and social justice.”
Prof. John Fernandez speaks with New York Times reporter Somini Sengupta about how to reduce the climate footprints of homes and office buildings, recommending creating airtight structures, switching to cleaner heating sources, using more environmentally-friendly building materials, and retrofitting existing homes and offices. “It’s going to be a lot easier to reduce carbon emissions in the built environment than almost everything else,” explains Fernandez.
MIT has ranked first in 11 different academic fields in the latest QS World University Rankings, reports Michael T. Nietzel for Forbes.
Prof. Nicholas de Monchaux speaks with New York Times reporter Vanessa Friedman about NASA’s newest spacesuit. The suit is “the costume for the drama we project into space,” says Monchaux. “[The way we] put ourselves into the heavens.”
New York Times reporter Siobhan Roberts spotlights the work of Jessica Rosenkrantz ’05 and her husband Jesse Louis-Rosenberg, who create laser-cut, wooden jigsaw puzzles inspired by natural forms. “Inspired by how shapes and forms emerge in nature, they write custom software to ‘grow’ intertwining puzzle pieces,” writes Roberts. “Their signature puzzle cuts have names like dendrite, amoeba, maze and wave.”
Prof. Mary Anne Ocampo speaks with Madame Architect reporter Gail Kutac about what inspired her passion for architecture and urban planning, and her advice for new designers. “The impact I would like to have in this world is creating strong collaborations that promote inclusive and resilient design visions,” says Ocampo. “To me, there’s this combination of understanding design as a process, and design as a commitment that helps us to recognize the ways we value our environment and people.”
Writing for Times Higher Ed, Prof. Andres Sevtsuk explores how campus design can boost communication and exchange between researchers. “Low-rise, high-density buildings with interconnected walkways and shared public spaces are more likely to maximize encounters,” writes Sevtsuk. “In colder climates, having indoor walking paths between buildings can help ensure that encounters continue during colder parts of the year.”
MIT’s Norman B. Leventhal Center for Advanced Urbanism (LCAU) has created an architectural installation for the Mextrópoli Architecture and City Festival in Mexico City, reports Josh Niland for Archinect. The installation titled Sueños con Fiber/Timber, Earth/Concrete utilizes “the school’s recent innovations in materials research to weave a narrative about the centuries-old capital through four materials: paper, wood, earth, and concrete,” writes Niland.
Prof. Miho Mazereeuw speaks with Wall Street Journal reporter Lindsay Ellis about courses she is teaching at MIT focused on environmental risk and disaster-resilient design. During her course last semester, “students weighed how to build environments that can cope with a changing climate as well as the social inequities that disasters reveal,” writes Ellis.
Writing for Metropolis, James McCown highlights the architecture of the new MIT buildings in Kendall Square, particularly the property at 314 Main Street, which houses the new MIT Press Bookstore and MIT Museum. “To walk across the campus of the Massachusetts Institute of Technology is to get a crash course in 20th and early 21st-century architecture,” writes McCown. “Who wouldn’t want to add their signature to this splendid architectural canvas?”
The Economist spotlights how Prof. Carlo Ratti and researchers from the MIT Senseable City Lab are working on revitalizing neglected spaces in Kosovo’s capital. “We wanted to start something that could continue in the long term: small interventions that, little by little, could become part of the city,” says Ratti.