MIT Sounding 2019-20 explores far-reaching musical frontiers
This season of musical performances features a range of Boston premieres and diverse collaborations.
This season of musical performances features a range of Boston premieres and diverse collaborations.
How the humanities, arts, and social science fields can help shape the MIT Schwarzman College of Computing — and benefit from advanced computing.
MIT hosts "Songs from Extrasolar Spaces," a musical melding of art and science inspired by the Transiting Exoplanet Survey Satellite (TESS).
At the piano and in the lab, double major Tony Zhang is driven by curiosity and creativity.
Among the program's offerings, the Digital Humanities Lab applies computational tools to humanistic research — and builds a community fluent in both languages.
Symposium speakers describe how colleges must meet the challenges of a rapidly emerging environment in which "computing is for everyone."
Digital technologies, such as virtual reality, drive better outcomes for MIT students and global learners.
The MIT Playwrights Lab founder discusses the varied connections between the sciences, technology, and the arts.
"Spider’s Canvas" features the sonification of a 3-D spider web, with each strand “tuned” to a different note.
Cross-disciplinary projects at MIT probe the technological and aesthetic limits of sound.
Production kicks off MIT Performing series promoting a research-based artistic practice that aims to serve as a new platform for contemporary performance.
An increasingly popular program is drawing students eager to build — and use — the next generation of tools for making music.
Commitment signals transformative moment for the Institute’s music programming.
SHASS faculty members offer research-based perspectives with commentaries, plus a Music for the Midterms playlist, and an election book list.
Iconic composer A. R. Rahman visits MIT campus to learn more about new technologies.